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Michael Flomen


2005  Teeming, Ricco Maresca Gallery, New York

2003  Paul Kopeikin Gallery, Los Angeles

Trout Will Rise for Some Hats, Brown Library, Sterling College, Craftsbury, VT

2002  Higher Ground, Ricco Maresca Gallery, New York

World, Artcore Gallery, Toronto

2001  Carl Hammer Gallery, Chicago

Seven, Artcore Gallery, Toronto

2000  Rising, Ricco Maresca Gallery, New York 

1999  Trout Will Rise for Some Hats, Galerie d’art d’Outremont, Montreal 

1998  Fields, Artcore Gallery, Toronto 

1997  Fields, Gallery Han Art Contemporain, Montreal

1995  Imminent Ground, Galerie Vox, Montreal

Friend, photographic installation, Motel Fine Arts Exhibitions, New York

Imminent Ground, Langage Plus, Alma, Quebec

1994  Prier, Pray, Mois de la Photo, Espace 2020, Montreal 

1993  Night, photographic installation, Motel Fine Arts Exhibition, New York  

1988  Centre Culturel Canadien, Paris

Shaker Photographs, North Family, 1969-73. Mount Lebanon Shaker Village, New Lebanon, NY (on going)

Dunlop Art Gallery, Regina, Saskatchewan

Kamploops Art Gallery, Edmonton, Alberta

University of Alberta, Edmonton, Alberta

1986  PPS Galerie F C Gundlach, Hamburg, Germany

Southern Alberta Art Gallery, Lethbridge, Alberta 

1985  Aus Der Sicht Des Nachbarn, Wissenshaftzentrum, Bonn

Galerie John A. Schweitzer, Montreal 

1984  L’Oeil du Voisin, Canadian Cultural Center, Brussels

Galerie Vu, Quebec

Het Oog Van de Buur, Cultureel Centrum Hasselt, Hasselt, Belgium

Geemeentekredist, Grote Market, Antwerp

Steigenberger Hotel, Berlin

Kanada Galerie, Munich

Vortragassal Der Universitats Bibliothek, Oldenburg

1981  Shot in America, The American Gallery, Bern

The Koussivitsky Art Gallery, Pittsfield, MA

1980  Paul Waggoner Galleries, Chicago

1975  Doubletake, Vehicule Art Gallery, Montreal

1972  Shaker Light, Optica Gallery, Montreal  


2004  Water, Ricco Maresca Gallery, New York

2003  Looking Up: Contemplating the Skies, New York Academy of Sciences, NY

Cameraless Image, Photo-Eye Gallery, Santa Fe, NM

How Human: Life in the Post-Genome Era, International Center of Photography, New York

2002  PhotoGENEsis; Opus 2, Santa Barbara Museum of Art, CA New Acquisitions, New Work, New Directions 3: Contemporary Selections, Los Angeles County Museum of Art, CA

Gaggles, Flocks, & Coveys; Further, Murders & Exaltations: A Bird Show, Ricco Maresca Gallery, NY

Tamarack Gallery, Craftsbury, VT  

2001  At the Edge: The Horizon Line in Contemporary Art, Dorsky Gallery, NY

2000  Particular Vision, Tim Hill Gallery, Birmingham, MI

Thinner Air, Society for Contemporary Photography, Kansas City, MO

Art Basel Miami, Art Chicago, Artissima Italy, Art Cologne Germany, AIPAD New York, Art Fiero Bologna Spain, Art Brussels

1998  Several Pictures XII, Fraenkel Gallery, San Francisco

Temps Composés, Musée D’Art de Joliette, Quebec

1997  Photographic Views and Vistas, Marcia Raffelman Fine Arts, Toronto Art à la Carte, Galerie McClure, Montreal

1994  Han Art Contemporain, Montreal

Before the Land Behind the Camera, CMCP, Ottawa

Prêt d’Oeuvres d’Art, Musée du Québec, Quebec 

1988  Social Life, The Center for Photography, Woodstock, New York

1986  Choix D’Artistes, Galerie John A Schweitzer, Montreal

1985  Canadian Contemporary Photography, National Art Gallery, Ottawa

1984  Fragments, Photographies Actuelle au Québec, Galerie Vu, Quebec 

1979  Tendances Actuelles au Québec, Musée d’Art Contemporain, Montreal

Vécu, I Have Lived, CMCP, Ottawa 

1978  Four Photographers, Galerie Optica, Montreal

New Trends in US and Canadian Photography, Galerie Monas Heirgliphica, Milan 

1972  Young Canadian Photographers, Yajima Gallery, Montreal   


1980  Flore, Optica Gallery, Montreal (Organize and curate a photographic group exhibition about flowers)  


  Whitney Museum of American Art, New York
Philadelphia Museum of Art
Fogg Museum, Harvard University, Cambridge, MA
Boston Museum of Fine Arts
Norton Museum of Art, Palm Beach, FL
George Eastman House, Rochester, NY
Hallmark Collection, Kansas City, MO
Santa Barbara Museum of Art, California
Hanmi Photography Museum, Seoul
Museum for Canadian Contemporary Photography, Ottawa
Art Bank, Ottawa
Musée d’Art Contemporain, Montreal
Los Angeles County Museum of Art
Winnipeg Art Gallery, Winnipeg, Manitoba
Ministry of External Affairs, Ottawa
Musée de L’Architecture, Liège, Belgium
Mt. Lebanon Shaker Village, New Lebanon, NY
Musée national des beaux-arts du Québec, Quebec 



Higher Ground. Catalogue, Ricco Maresca Gallery, New York

Rising, Portfolio
Rising. Catalogue, Ricco Maresca Gallery, New York

Trout Will Rise for Some Hats, story by Stephen Leacock, folio book with nine original silver prints designed by Peter Sibbald Brown

A Photograph, 15 photographs, self-published

Still-Life Draped Stone, 26 duotone plates,
Introduction by Peter Sibbald Brown, Paget Press

Details/M. Flomen, 21 duotone plates, Introduction by Louis Patrick,
Yajima Gallery, Montreal


American Photo, May/June, essay, The Future of Nature

Art on Paper, review by Elizabeth Finch (April)

2wice (Vol 6: N0 2) GLOW - Bioluminescence

The New Yorker, March 11, Goings On About Town, Higher Ground

CV Photo, Autumn, p. 61. review, Imminent Ground

Black Flash, Vol. 13.3, Fall, p.18-19. review, Imminent Ground

Portfolio Photographie 12, Verlag Photographie, 6 plates, Introduction by Michael Koetzle

Le Mois de la Photo à Montréal, Exhibition catalogue p. 162

Canadian Art Magazine, Summer, Exhibition review of Still-Life Draped Stone, Shweitzer Gallery, by George Bogardi. P. 18, 19.

Photo Selection, Exhibition review by Richard Baillargeon. P. 42, 43

Aus Der Sicht Des Nachbarn, catalogue of traveling exhibition in Germany, p.16

American Photographer, September, book review, Nina Liu

Het Oog Van de Buur, catalogue for exhibition at Cultural Center Hasselt, Belgium, Introduction by Johan De Vos. 16 pages. 1984

Fragments, Photographie Actuelle Au Québec,Exhibition Catalogue p. 40-41

Canadian Contemporary Photography, ONF NFB, collection. Hurtig.

Latitudes and Parallels, exhibition catalogue, Winnipeg Art Gallery, p. 56-58

Quebec Photography Invitational, Saidye Bronfman Center, exhibition catalogue, Interview by Katherine Tweedie, p.18.

‘Through the Lens of Michael Flomen’ by George Bogardi, Chimo Magazine Vol. 5, No. 1 Feb./March p. 56-58.

Chicago Sunday Times, June 15, Exhibition review by David Elliot.

Afterimage, March. Book review.

Printletter No. 28, July. Zurich. Review by Marco Misiani. p. 31.

Photo Communique, Fall. Review by Gail Fisher-Taylor.

Vie Des Art, Winter, Exhibition review.

Tendances Actuelles au Québec, catalogue. Musée D’Art Contemporain

Vécu, I Have Lived, Folder for the exhibition by Pierre Dessurault, Ottawa.

Arts Magazine, 23 October, Exhibition review, Vehicule Art Gallery, Montreal