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Chuck Samuels


EXPOSITIONS INDIVIDUELLES / SOLO EXHIBITIONS

2003 

InSiteOut (avec / with Sylvie Cotton), Dazibao, centre de photographies actuelles, Montréal, Canada



1999  Moving Images (avec / with Bill Parsons), Music Gallery, Centre for New and Unusual Music, Toronto, Canada

1997  Je ne suis pas... (avec / with Gilbert Boyer), Galerie Michèle Chomette, Paris, France

1996  Before the Camera, Galerie Barbara Farber, Amsterdam, Pays-Bas / The Netherlands

Sighting the Male, Latitude 53, Edmonton, Canada

Psychoanalysis (avec / with Bill Parsons), Galerie 101 / 101 Gallery, Ottawa, Canada

Psychoanalysis (avec / with Bill Parsons), Galerie VOX, Montréal, Canada

1995  Before the Camera, VU, centre de diffusion et de production de la photographie, Québec, Canada

1994  Before the Camera, Musée canadien de la photographie contemporaine / Canadian Museum of Contemporary Photography, Ottawa, Canada

1993  Before the Camera, Artspeak, Vancouver, Canada

Easy Targets, Exposure Gallery, Vancouver, Canada

1992  Easy Targets, Exit Gallery, Reno, É-U / U.S.A.

Before the Camera, Galerie 101 / 101 Gallery, Ottawa, Canada

After the Masters, Houston Center for Photography, É-U / U.S.A.

Easy Targets, Hamilton Artists Inc, Canada

Cibles faciles, VU, centre de diffusion et de production de la photographie, Québec, Canada

1991  Easy Targets, Arcadia Gallery, Toronto, Canada

Easy Targets, Latitude 53, Edmonton, Canada

Easy Targets, Floating Gallery, Winnipeg, Canada

1990  Easy Targets, Xchanges Gallery, Victoria, Canada

Extended Portraits, ESPACE F, Rimouski , Canada

Easy Targets, Neutral Ground, Regina, Canada

Easy Targets, Galerie 101 / 101 Galery, Ottawa, Canada

1989  Extended Portraits, Nova Scotia Photo Co-op, Halifax, Canada

1988  Memory Works, Harbourfront Gallery, Toronto, Canada

Extended Portraits & The Mission of Photography..., AXENÉO7, Gatineau, Canada

Extended Portraits, Centre Eye Gallery, Calgary, Canada

Extended Portraits, Séquence - Arts Visuels et Médiatiques, Jonquière, Canada

Extended Portraits, VU, centre de diffusion et de production de la photographie, Québec, Canada

1986  Extended Portraits, Galerie Bourget, Montréal, Canada

1985  Nudes, Latitude 53, Edmonton, Canada

1981  Portraits, Dazibao, centre de photographies actuelles, Montréal, Canada

1980  Portraits, Critical Eye Gallery, Hatley, Canada



EXPOSITIONS COLLECTIVES / GROUP EXHIBITIONS

2006 Silver, Houston Center fo Photography, Houston, USA

 2005 Edward Weston: Perspectives on Collections, George Eastman House, Rochester, NY, USA

2004  Les 20 ans du CIAC, La Biennale de Montréal, Centre international d'art contemporain de Montréal (CIAC), Canada  

2003  essence/image, University of Waterloo Art Gallery, Canada

2002  20th Anniversary Exhibit, Houston Center for Photography, É-U / U.S.A.

2001  and then we take berlin, Contemporary Art Forum, Kitchener and Area (CAFKA), Canada

Disclosures, Calvin College Center Art Gallery, Grand Rapids, É-U / U.S.A.

1999  Dock Innocence, Moving Pictures Festival of Dance on Film and Video, Toronto, Canada

Desert Drive, Antimatter Underground Film Festival, Victoria, Canada

The Full Monty, Edwynn Houk Gallery, New York, É-U / U.S.A.

1998  Play It Again, Concertgebouw Amsterdam, Pays-Bas / The Netherlands

Recycling Art History, Pittsburgh Arts Center, É-U / U.S.A.

1997  Promote/Exhibit/Document, Galerie 101 / 101 Gallery, Ottawa, Canada

Utopia/Dystopia, Floating Gallery, Winnipeg, Canada

Fun With Dick and Jane, Clement Gallery, Toledo, É-U / U.S.A.

1996  Les cent jours d'art contemporain, Centre international d'art contemporain de Montréal (CIAC), Canada

Photography Room, Fay Gold Gallery, Atlanta, É-U / U.S.A.

Prospect '96, Schirn Kunsthalle/Frankfurter Kunstverein, Frankfurt, Allemagne / Germany

Photography in the 1990s, Wright State University Art Gallery, Dayton, É-U / U.S.A.

1995  Several Exceptionally Good Recently Acquired Pictures IX, Fraenkel Gallery, San Francisco, É-U / U.S.A.

The Pressing of Flesh, Gallery 44 - Centre for Contemporary Photography/Gallery TPW, Toronto, Canada

1994  Le corps / The Body, Haus am Waldsee, Berlin, Allemagne / Germany

Le corps / The Body, Kunsthalle Bielefeld, Allemagne / Germany

1993  The Pressing of Flesh, Floating Gallery, Winnipeg, Canada

Interior Dialogues, Pyramid Arts Center (maintenant le / now the Rochester Contemporary), Rochester, É-U / U.S.A.

1992  Phototropism, New Works Gallery, Chicago, É-U / U.S.A.

Politics of Gender, Niagara Artists Centre, St. Catharines, Canada

Body Takes, Gallery TPW, Toronto, Canada

Rated X, Neikrug Photographica, New York, É-U / U.S.A.

1989  Canadian Photographers, HNF Gallery, Budapest, Hongrie / Hungary; Központi Bányászati Múzeum, Sopron, Hongrie / Hungary

1988  Untitled, Dazibao, centre de photographies actuelles, Montréal, Canada

1987  Latent Images, Gallery 44 - Centre for Contemporary Photography, Toronto, Canada

1986  Photoperspectives ‘86, Presentation House Gallery, North Vancouver, Canada

1985  Nudité et sexualité en photographie, Dazibao, centre de photographies actuelles, Montréal, Canada

Portraits, Articule, Montréal, Canada

1984  Le Portrait (exposition itinérante / travelling exhibition), Consejo Mexicano de Fotografia, Tehuantepec, Mexique / Mexico

1983  Portraits, Espace OVO, Montréal, Canada

1981  End of Tale, Galerie Yvon Lavoie, Montréal, Canada



ÉVÈNEMENTS / EVENTS

 2006 Crime Scenes, Video projection with live music by Antoine Bustros et l'ensemble Ulysse,in collaboration with Bill Parsons, at the Montreal Conetmporary Art Museum, Festival International de Jazz de Montréal, Canada

 2006 Translating Grace, Video projection with live music by Evergreen Club Contemporary Gamelan and Sanctuary, in collaboration with Bill Parsons, at Rosedale United Church, Toronto, Canada

1999  Moving Images, Projection of seven videos with live music by Mosaic, in collaboration with Bill Parsons, at Music Gallery, Toronto, Canada

Dock Innocence, Video with live singer, in collaboration with Bill Parsons, in the Moving Pictures of Dance on Film and Video, Toronto, Canada

Desert Drive, Video, in collaboration with Bill Parsons, Antimatter Festival of Underground Short Film and Video, Victoria, Canada

Untitled, Video projection during stage performance of D.Kimm's La Suite mongole, in collaboration with D.Kimm, Espace Tangente, Montréal




ART INTERNET / WEB ART

  Une mauvaise journée (avec / with Michel Lefebvre), Fixions: 5 Photoromans sur le web, http://www.agencetopo.qc.ca/fixions/





COLLECTIONS / COLLECTIONS

  Collection S. Danis / The Secret Museum, Montréal, Canada
Musée canadien de la photographie contemporaine / Canadian Museum of Contemporary Photography, Ottawa, Canada
Maison européenne de la photographie, Paris, France



PUBLICATIONS / PUBLICATIONS

 

Catalogues et monographies / Catalogues and monographs


Gervais, Thierry et Morel, Gaëlle, La photographie, Paris, Larousse, 2008

Parent, Sylvie, 10 ans / years agence topo, Montréal, Agence Topo, 2008

Mayrand, Céline, Se révéler, disparaître, Autoportraits dans la photographie canadienne contemporaine, Québec, Édition Gilbert, Éditions J'ai VU, 2004

Straw, Will, "Psychoanalysis", image/duration (Ottawa: Gallery 101 / 101 Gallery, 1999), pp. 35-44

Roodenburg, Linda, « Humor, ironie en perfectie », Play It Again, Amsterdam, Praemium Erasmianum, 1998, p. 16-19

Clark, Vicky A., Recycling Art History (Pittsburgh: Pittsburgh Center for the Arts, 1998)

Weiermair, Peter, “Introduction,” Prospect 96 - Photography In Contemporary Art (Zurich: Edition Stemmle, 1996), pp. 10-14

Levitt, Nina, Before the Camera, Québec, VU, centre de diffusion et de production de la photographie, 1995

Herzog, Hans-Michael, Peter Weiermair, Le corps / The Body, Bielefeld, Kunsthalle Bielefeld, 1994

Mark, Lisa, “Curator's Statement”, The Pressing of Flesh (Winnipeg: Floating Gallery), n.p.


Périodiques / Periodicals

Formiguera, Pere, "It's Such a Beautiful Photograph it Looks like a Photograph", "REMAKES", Exit Magazine, Madrid, No.21 (February 2006): 62-67

Nordström, Alison, "Weston & the Post-Modernists", Images, the Magazine of George Eastman House, Vol. 43, No.1 (Spring 2005): 64

Campeau, Sylvain, « Autoportraits dans la photographie canadienne contemporaine », CV Ciel Variable, No. 67, juin 2005, p.35


Levitt, Nina, "Before the Camera - An Essay on the Works of Chuck Samuels," Function (Toronto), Vol. 3 (2001): 26 - 28

Doyon, Frédérique, « Poésie nomade », La Presse, 24 septembre 1999, p. B5

Vince, Aletti, "Short List", Village Voice (10 August 1999): 89

Couëlle, Jennifer, « Chuck Samuels », CVphoto, No. 37, hiver 1996, p. 33

Lamarche, Bernard, « Les corps étrangers », Le Devoir, 27 octobre 1996, p. D8

Friesen, Margareta, « Prospect 96: Photographie in der Gegenwartskunst », Camera Austria, No. 55, 1996, p. 68-70

O'Rourke, Debbie, “The Pressing of Flesh”, Artword (Fall 1995): 8-11

Laurence, Robin, “Singing the Body Eclectic”, Border Crossings, Vol. 14, No. 2 (April 1995): 62-65

Gagnon, Monika, "Body Takes", C Magazine, No. 36 (Winter 1993): 60-61

Levitt, Nina, Body Takes (Toronto: Toronto Photographers Workshop, 1992)


Ouvrages / Books


Campeau, Michel, Ellen Corin, Janieta Eyre, Simon Harel, Martha Langford, Céline Mayrand, Autoportraits dans la photographie canadienne contemporaine, ed. André Gilbert, Québec, Éditions J'ai VU, 2004

Cousineau-Levine, Penny, Faking Death: Canadian Art Photography and the Canadian Imagination (Montréal: McGill-Queens University Press, 2003)

Bright, Deborah, The Passionate Camera (New York: Routledge, 1998)




ÉCRITS PUBLIÉS / PUBLISHED WRITINGS
  Samuels, Chuck, "É bom ter senso du humor; A Misguided Tour of the FOTO ARTE 2004 Photography Festival", MIX (February 2005)

Samuels, Chuck, "Men, Women & Photography", Women and Men: Interdisciplinary Readings on Gender, ed. Greta Hofmann-Nemiroff (Toronto: Fitzhenry & Whiteside, 1987), pp. 454-469

Samuels, Chuck, "Supportive, Exploitative, Appropriative? Five Male Photographers Approach 'Women’s Issues'", FUSE Magazine, Vol. VIII, No. 6 (Spring 1985): 29-34

Samuels, Chuck, Moïra Egan, « Les refugiées indochinoises », Vanguard, Vol. 12, No. 10, décembre 1983-janvier 1984, p. 44-45